A Design Analysis of the Number Two Great Seal of Office

Number 2 Great Seal of Office

Number 2 Great Seal of Office

In the episode “It’s Your Funeral”, Number 2 is honored during ceremonial occasions to wear the golden Great Seal of Office. In the scene in the watchmaker’s shop we see a rare glimpse into the design process. Left laying around for all to see is the original designer’s sketch of this seal!

Original Design Sketch

Original Design Sketch

As is common when analyzing ancient manuscript documents, I found it useful to record my experiments with various lighting conditions from various angles. For simplicity in this presentation, and in presenting the evidence of my conclusions, I show only the results for light from the four cardinal directions, and I do so in rotating images.

First, the sketch in natural light:

Natural lighting

Natural lighting

As you see, in natural light, no particular artifacts of creation are evident. One sees the inscription in the normal Village font, and the central icon of the Village pennyfarthing.

Exposed in near-ultraviolet light, we see some additional information developing on the surface. There are areas of differing colors showing variations in the surface texture. The spectrum from red through violet shows increased surface height. One would think that a piece of drafting paper would be smooth, but here there is apparent evidence of unevenness.

In Near-Ultraviolet Light

In Near-Ultraviolet Light

Finally, I found the need to slow the rotation to better see the square areas that appear from some angles. In slow motion, you can observe this “pixelization” of the surface. Normal paper does not behave in such a manner. Note that you can see the effect better if you click on the image to view it larger in your browser.

Slow Motion to Observe Squares

Slow Motion to Observe Squares

“What does this mean?” to quote Dr. Martin Luther. Apparently, the technology of The Village included elements more advanced than most of the world knew in the 1960s. This paper is actually synthetic paper made of nano-liquid-crystal. To our knowledge, this nLCD type of display is just now coming to market in advanced technical centers, such as Tokyo and Singapore. To find it in The Village is evidence beyond what we were looking for. The nLCD paper the watchmaker is using to draft the seal of office is nothing less than an artifact from the future!

The next stage of research must now shift from design, to source. Where and when could this nLCD paper originate? And how and by whom was it delivered to The Village? Unfortunately, these questions cannot be answered at the present, but must wait for time to progress.

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